Will Dailyrest’s unrecorded first album, Utherside, featuring songs from the future apocalypse and other tear-jerkers like Small Hands, Flutter in My Heart, and Little Cabbage.
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art department
Before moving to Trumansburg, I worked as a set dresser and propmaker in Los Angeles. These photos are (a tiny sample) of sets I dressed and destruction that I wrought for the TV show “The Middleman” as well as some stuff from “Dirty Habit,” and “Spacerex.”
Strictly speaking, I did not art direct the middle man. Rather I was part of a team of people among whom was an art director who was not me. I was the onset dresser, and worked the set during the actual production.
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band demos
In my opinion, a video should be more than a commercial for a band. I worked art department doing MTV videos in Los Angeles in the 90s and, while I respect the creativity of the medium, I always feel a little embarrassed for everyone when the lip syncing starts.
The tension of filming real, live music informs every second when you have good camera people. It’s a dance between the camera and the musician and when the two hit a groove, there’s nothing else like it.
For me it’s about the moment of creation–and I like to shoot a band performing unplugged, or a song they haven’t yet gotten down cold. When real creativity is happening (as opposed to lip sync) and the cameras, the mics, and the lights are perfectly placed, you can see the thrill of the moment in musicians’ eyes. You can’t fake that.
I don’t like gimmicks or narratives. I don’t care if MTV says I have to have a cut every two seconds. If that’s important to you, I’m probably not the guy you’re looking for.
If musicians want to try acting, I’m all for it, let’s write a musical or a rock opera (on my to-do list), but let’s not pretend you’re singing your own song. I mean, really… we have microphones.